{"id":968,"date":"2009-05-11T11:01:39","date_gmt":"2009-05-11T16:01:39","guid":{"rendered":"http:\/\/www.bspcn.com\/2009\/05\/11\/10-tips-for-people-photography\/"},"modified":"2009-05-11T11:03:12","modified_gmt":"2009-05-11T16:03:12","slug":"10-tips-for-people-photography","status":"publish","type":"post","link":"http:\/\/localhost\/wordpress\/2009\/05\/11\/10-tips-for-people-photography\/","title":{"rendered":"10 Tips For People Photography"},"content":{"rendered":"
Written by Craig Ferguson Images<\/a><\/p>\n More often than not, it\u2019s the people you meet that make travel truly memorable. It\u2019s also the photographs of people that usually get the best reaction from family and friends when you return home. So without further ado – 10 tips for better people photography.<\/p>\n Bonus Intro Tip<\/strong> \u2013 Common to all genres of photography are three things. Correct exposure, correct white balance and sharp focus. Getting these right is essential. No amount of Photoshop trickery can replace these three basic points. Ensure you\u2019re competent in these before you learn anything else.<\/p>\n <\/a><\/p>\n Modern digital cameras have a number of focus points that helps the autofocus lock on to the subject. For portrait photography, having a large number of points can be more a hindrance than a help. When using all the points, the camera will make a guesstimate based on the average of all the points. Sometimes this will work well, sometimes it won\u2019t and you\u2019ll be left with your subject out of focus and something in the background\/foreground in focus. Not what you want. Instead, select one focus point only \u2013 usually done with a dial on the camera, check your manual for how to set it. The center point is the strongest, so use that one to lock your focus on what you want, not what the camera thinks you want.<\/p>\n I\u2019ve mentioned this\u00a0 before \u2013 the eyes are the most important part of a portrait. If they are sharp and in focus, the rest of the picture can be out of focus and it\u2019ll still look good. Point the center focus point from 1. at the eyes, lock the focus and then recompose as necessary.<\/p>\n The aperture or f-stop is what controls the amount of light reaching the sensor. A large aperture is, sometimes confusingly, the smallest f-number. F2.8 is a larger f-stop than f16. It lets more light in, and has a shallower depth-of-field. When we set the aperture to its widest (eg f2.8), it\u2019s known as shooting wide open. It gives a pleasing out-of-focus effect (bokeh) in the background away from the critical point, which results in pleasing portraits. The viewers\u2019 eye is directed to the subject not the background.<\/p>\n <\/a><\/p>\n At shorter focal lengths than 70mm, distortion starts to occur. It\u2019s not really noticeable until you are below 50mm so you have a bit of leeway. If you shoot a frame-filling portrait with a wide-angle lens, your subject\u2019s head is going to look strangely large due to the distortion. The classic portrait lengths are between 80mm and 135mm but anything from 70mm to 200mm will look good.<\/p>\n There\u2019s really no point buying a DSLR or high-end digicam if you then go and do all your shooting in JPG. Shooting in RAW captures all the image data. Shooting in JPG means you are throwing away all but the basic data. If you make any kind of error while shooting, you can often still get usable images out of a RAW file. If you try and edit a JPG, you\u2019ll just make things worse. If your white balance is off (or you want to creatively change it), you can with RAW. You can\u2019t with JPG. A RAW file will be 12 or 14 bit. JPG is 8 bit. And so on.<\/p>\n The last place you want to be shooting is in direct sunlight. It\u2019s harsh, it creates hard, directional shadows and it\u2019s not at all flattering to your subject. Move into the shade and you\u2019ll get smooth, even shadows and softer light.<\/p>\n1.Focus Points \u2013 One is better than many.<\/h1>\n
2.Focus On The Eyes<\/h1>\n
3. Shoot At Large Apertures<\/h1>\n
4. Shoot At 70mm or Longer<\/h1>\n
5. Shoot RAW<\/h1>\n
6. Shoot In The Shade<\/h1>\n